Spacelog Apollo 13

Houston, Aquarius. Over

Go ahead, Aquarius.

Are the flowers in bloom in Houston?

No, not yet. Still must be winter.

Suspicions confirmed.

Yes, I doubt if they will be blooming even Saturday, when you return.

I concur.

Hey, Jim, we have some photo information to pass up to you. Discussed this briefly with Fred earlier. It's instructions or suggestions for which photos—which cameras and lenses to use during your service module photography. Over.

Okay. Stand by 1.

Okay.

Go ahead.

Okay. We have three cameras here, two of them to be used for picture taking from the LM, one to be used from the number 5 window of the CSM. First, I'll hit the LM cameras. And this camera that I mention now has first priority. It's considered the one to give you the best results. That's the 70-millimeter DC Reseau camera, Hasselblad, that is, with the 80-millimeter lens, from box A-13. Suggest fresh magazine of 3400 black-and-white film.

Okay.

Okay. Suggest either magazine R or magazine S from A-13. Transfer all of this to the LM and recommend the following settings: LM/DC/80/BW 3400 (f:5.6 at a 250th).

And that's all for that one.

Okay, Vance. Let me see if I have it here. For the LM, want to use the 70-millimeter DC Hasselblad 80-millimeter lens in A-13, using 3400 black-and-white film MAGs R or S. Prepare to take camera to the LM, and the setting would be the LM/DC/80/BW 3400 (f:5.6) at a 250th.

Okay, Vance. Essentially, what you wanted to use as far as the movie camera in the LM goes, is our lunar sequence camera which is attached to the powerpack. We use the 18-millimeter lens, set it at 12 frames per second … f:8 at 250th of a second.

Roger. f:8 at 250th.

Right; f:8 at 250th.

Okay. Would you believe that we have a correction now to the last camera I gave you? Correct that 18-millimeter lens to 75-millimeter lens.

Okay. The 18-millimeter to the 75-millimeter lens. Okay.

Right. Okay. Next for the command module pictures, it may be a little hard to see the service module from the command module, but if you can see it, it will be through window 5, people down here think. Recommend for that the CM 70-millimeter. These photos have priority 2. So this is 70-millimeter EL, with—which has the 80-millimeter attached, and this is all in B-3. Take off the 80-millimeter lens and attach the 250-millimeter lens. And the 250-millimeter lens can be found in U-4. Use CEX film from A-13. Ring sight from A-7, and these pictures will be f:8 at a 250th. And I think probably by now you probably all have—already have these cameras configured, and this may be redundant information, but here it is anyway. Over.

Okay, Vance. You're right. We do have cameras almost configured like you said. For the command module, you think that the EL with the 250 lens, CEX film, f:8 at a 250th is the best bet, and you're saying now that where you think you'll see it is out window 5? Is that it?

That's right, Jim.

Okay. My procedure, now, after service module JETT is going to be to pitch up, in order to try to get the service module into the—to get the center window in view of the service module, which we are going to have somebody there—to photograph. Why do you think window 5 will be it?

Aquarius, Houston. Over.

Go ahead, Houston.

Jim, regarding window 5, I have a drawing here; and, when you're docked, you have approximately a 60-degree angle between the Z-axes of the two spacecraft. It appears that peering out window 5, you would be looking at the rendezvous radar on top of the LM which would, if you pitched, more or less give you a view of the service module. That is, if you pitched, so—from—and I think that this has been run by quite a few folks here; so, offhand, I can't see where any other window would be as good or perhaps even possible.

Okay. I understand. Yes, you're right. When we look out window 5, we can see rendezvous radar, and we'll try—We'll try window 5.

Roger. It presumes, though, that there has to be a pitch to be able to see it. You guys sound a lot more rested today.

Well, I just went back and sacked out for an hour or so and didn't get back up.

Very good.

And, Jim, Houston. We really are going to get those checklists up to you.

Aquarius, Houston. Over.

Aquarius, Houston. Over.

Go ahead, Houston.

Jim, it's time for readings on the battery charging again. Request the BAT A voltage and the charger amps. Over.

Houston, Aquarius.

Go ahead, Jim.

Okay. We have no more water in the potable tank. We tried to get some more out a few minutes ago, and there isn't any.

Okay. Understand you ran out of water in the CM potable tank.

Okay, Vance. I put BAT Baker on charge; I don't think it quite had stabilized. It was reading 1.1 amps, 39.6 volts when I left up there.

Okay. We got that.

Okay. I guess now is as good a time to start as any.

Just a second, Jack.

Aquarius, Houston.

Okay, Vance. You're kind of weak, but readable.

Jack, we're going to need readings on the BAT volt and charger amps about every 10 or 15 minutes for a while, so is there somebody else that can be reading them out while you're copying? Over.

Yes. Jim will take a run up there. Fred-o is sleeping right now. We're trying to get some sleep here, and Jim'll run up and take a look at voltage and current whenever you call.

Okay.

Houston, Aquarius.

Go ahead, Aquarius.

Vance, we've got to realize that we've got to establish a work-rest cycle up here, so we just can't wait around here to just read procedures all the time up to the burn. We've got to get them up here, look at them, and then we've got to get the people to sleep. So take that into consideration when you get ready to send up the pads.

I know, Jim. We're very conscious of that. We—we should be ready to go in about 5 minutes. That's all I can say. Stand by.

Aquarius, Houston.

Okay, Vance. We're ready to go.

Okay. We need a—Sorry (laughter). We need a readout. Volts and amps.

Okay. In work.

And, might as well bring the COMM up to a higher fidelity for this long period of checklist reading. That requires, panel 16: CB PRIMARY S-BAND POWER AMP, closed.

Okay, PRIMARY S-BAND POWER AMP closed now. How do you read?

Okay. And next step, panel 12: S-BAND FUNCTION to VOICE and RANGING FUNCTION to RANGING.

Okay, Vance. The S-BAND FUNCTION is at VOICE and the RANGING switch was at RANGING.

Okay. That makes it so we can hear you better, Jack.

Okay. Can we—Since the first part of it, you're just going to read and I'm going to copy and we're going to have a question and answer period later, can we get started?

Okay. Procedure's coming back in again. Multicopies for distribution. And Ken's back. He's a local expert on this now, so we'll turn you over to him and he'll read it off.

Okay. Stand by. I'll give you volts and amps. Okay. The voltage is 39.1; amps, 1.75.

Okay.

Hello, Aquarius; Houston. How do you read?

Okay. Very good, Ken.

Okay. Let me take it from the top here. Just—there might be some overlap, but to make sure we're all on the same signal. We're starting off with a set of time line procedures that are going to give us—end up with the normal entry checklist. There will be some checklist changes into the book, but the bulk of what I have for you is the time line stuff. And it starts at 6 hours and 30 minutes prior to EI and assumes that we're getting LM power to MAIN B in the command module. I think you already have the numbers for the LM pads and the command module pads; I mean the types of pads we'll be giving you. And if you have a question on what they'll be doing or what they're for, I can go over those now or when we get through.

Okay. Yes, I'll make a little note there, and we'll discuss it when we get everything copied, huh?

All right. And the first item, then, after you get ready to start this checklist, is to install lithium hydroxide canisters and to stow ORDEAL. On panel 8, we want to turn the FLOODLIGHTS to FIXED.

Okay. Wait a minute. You're going too fast, here.

Okay. I'll tell you. I'll go line at a time and wait for your verification before I go on to the next one. I have panel 8, FLOODLIGHTS, FIXED,

Okay. Install LiOH canisters, stow ORDEAL, FLOODLIGHTS, FIXED.